This 5 habitats of monumental and decorative sculptural panels, which are depicted in allegorical images of human vices, which are connected by high- relief elements and volumetric sculpture, where each work a sense of spiritual tension can be seen in aspects: the external forms – in stormy dramatic movement of figures – and emotional psychological coloring which is clearly noticeable limiting the intensity of spiritual passions.

The emotional impact is achieved and abstract gestures and postures, the structure of the figures in the whole and parts ( exaggeration for feet hands – allegorical Admission to enhance expression).
In each composition, traced the eternal theme of good and evil, which is particularly clearly seen in the contrast supply the image of Jesus in relation to all the other figures, personifying collective image of hypocrisy, nonsense, anger, meanness, and other vices.

An important role is played by the drapery in the background, which as the flames in all works of life is filled with the composition and convey the thrill of boiling around Christ’s passion.

Larisa Zhulyabina.

The Stations of « Sensuality» depict allegorical images, each of which is filled with an inner impulse and passes the mood of the people involved in the scourging of Jesus, experiencing pleasure, watching his suffering.

Arrogance of the Jewish king, allowing the angry crowd Jesus put on his head a crown of thorns, is presented in full As in his figure, transmitting very accurate arrogance, smug, dismissive, derogatory attitude to everything going on. Tempted Demon, he is indifferent
for human life when an evil mob, disfigured with anger persons driven into the flesh of the Son of God the crown of thorns.

In this habitats viewed Cross impose on the Son of God, consisting of human heads, symbolizing the vices of the people, which fell upon the crowd, trying his best to lay their sins and vices on the shoulders of Jesus.
Exaggeratedly large hands as separate images under that Jesus is the dynamic impulse, filled with inner movement maintains this pile of grin, like animals, «Men». Jesus seriously, but he is not angry, not broken,
He has forgiven his attackers…….

Contorted with rage faces reckless crowd in a single burst of wicked attempts to pin down to earth Jesus stumbled and attacks the weakened the Son of God, violating his oaths.

This shows the station being ignorance stupidity heartless people who ruthlessly stab the heart of the Son of God.
Drapery bends bodies of women, the movement of their hands, contrasting with the crowd- all together shows the universal pain and despair of the offence.
The main figure of Jesus, pierced with a spear, frightens the executioners His life force even after his death.